On Whether There Is Sacred Music (Delvyn Case)

Episode Summary

Why do we think of some music as sacred music and some music as secular? Is it merely a lyrical or a historical distinction, or is there something about the style and genre that makes certain songs feel “spiritual”? Is the music of the ancient Hebrews more or less sacred than that of a modern Catholic mass or an evangelical megachurch? We are likely to distinguish between these different eras and genres to help categorize them as sacred or not; however, we should be more willing to challenge this distinction.

In this episode, Dru Johnson interviews Delvyn Case, an accomplished composer, scholar, and performer, about the way Christians view music. As they break down the boundaries between secular and sacred music, they discuss why certain types of music feel more spiritual (such as Gospel or hymns) than others. They talk about bad worship music and how it influences our emotions to teach us thin, wobbly theology. They then discuss religious imagery, especially the figure of Christ, in popular music. Is Jesus more like a punk rocker, a hippie, or a communist? Music has the power to educate us and draw us nearer to God; however, it also has the power to mold our emotions and thoughts in sneaky, subconscious ways. If we learn to listen more closely, we can not only grow shrewder in our understanding of its power, but also discover its excellencies and faults.

Chapters

    • 0:00 “Sacred music” versus “secular music”

    • 3:56 Gospel music as transcendent

    • 9:30 The role of music in church

    • 14:12 Bad worship music

    • 19:09 Spiritual and educational music

    • 22:35 Popular music using church motifs

    • 28:18 The view of Jesus in pop music

    • 34:33 How to critically engage music

Read Delvyn’s discussion of Jesus in pop music.

Transcripts are AI generated and are not guaranteed to correctly reflect the content of the podcast.
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Delvyn Case

Delvyn Case is a composer, conductor, scholar, performer, concert producer, and educator based in Boston. He is Associate Professor of Music at Wheaton College, Massachusetts, Founder of Deus Ex Musica, and Music Director of The Great Woods Symphony Orchestra. Though his formal training is in the Western classical tradition, he composes, studies, performs, and write about all kinds of music. He is passionate about the power of musical study to contribute to a well-rounded liberal arts education, and about the way the skills gained in a liberal arts education form his students into better musicians. Delvyn also blogs for Patheos.

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